In the movie,
Singing in the Rain, there is this "musical within a musical" effect. The movie itself is a musical, but it also has a plot twist of actors who are moving from the silent screen to talking pictures--and get the bold idea of making a musical. (Of course, considering the lead actress can't even talk prettily, never mind sing, this gives Gene Kelly and Debbie Reynolds time to make moon eyes at each other as they sing and speak the talking parts of the "talking picture.") Great movie. Classic bit with the umbrella and the dancing in the rain. Donald O'Connor makes a particularly memorable sidekick.
In
Anchors Aweigh, the first musical I watched outsid
e of the children classic standbys of
Mary Poppins and
Sound of Music, I fell in love with Gene Kelly. Madly. "Get there? Oh, darlin', you know I'll get there." And my soul soared at hearing Frank Sinatra sing that lullaby to the much adorable kid who would grow up to be the sidekick to the Quantam Leap guy. It was here I also met Kathryn Grayson, who also starred in my much favorite:
Show Boat. Howard Keel and Kathryn fall in love on the river--and he's a roguish river gambler; and she's the innocent boat captain's daughter. There is a dark, sad angsty twist where the gorgeous Ava Gardner is exposed as a mulatto--and is forced to leave the ship (it was neither the captain's nor Ava's idea...but it was the time period, unfortunately.)
Howard also does roguish pioneer man well too.
Seven Brides for Seven Brothers is campy, fun, and as deep as a Arizona mudpuddle--but boy, it is a good time. When the six brothers are pining for the town girls and Howard comes in and says, "Well, why don't you do something about it? The Romans would have carried them off! It's right here in Millie's book!"--and what do they do? They kidnap the town girls. The movie is worth the barn-raising dance-off alone. (My friend Holler would beg to differ, but I think it's a great movie.)
Howard was a man of many musicals. I also loved him in
Kiss Me, Kate--again, Kathryn Grayson--and he's ever so rakish as he sings, "Where lately is the life I led?" Though he's perhaps not half so rakish as Harve Presnell in
The Unsinkable Molly Brown. That movie has some slow points...Holler would probably say they were all slow...but there is this scene where he's teaching her how to read, and he's watching her in such a way you know he's thinking of her naked. Which ironically he's already seen her naked, but...never mind, you'd have to watch the movie. So he sings this song to Molly called, "I'll never say no to you..." Dead sexy.
There are the more obscure musicals like
The Pirate and
Can-Can (Gene Kelly and Frank Sinatra respectively), which while not as memorable as Seven Brides or Singing are still wonderful...and fun.
And these are just the MGM Golden Era of Musicals...I haven't even gotten to
Moulin Rouge, Chicago, et al, which have slowly been making their way into the film biz once more.
So I got to thinking (always a frightening pastime), and I wondered what would
Hellion: The Musical look like. I mean, never mind the fact I can't sing. Would my childhood years feature songs from Hank Williams, Sr and Johnny Cash; then my pre-teen/teenage years have all 80s music and big hair bands; and the 90s, four hours of George Strait songs? Would I have Waylon's theme from The Dukes of Hazzard, or would I use his
Never Could Toe The Mark? Would everyone be dressed in jeans and t-shirts, my obvious choice apparel, or would everyone be in pageant-themed looking outfits, lots of "Halloween" outfits, depending on the mood at the time? Perhaps a pirate theme, and a Medieval theme...and a Regency theme...and whatever else might fit my whimsy.
What do you think
Hellion: The Musical would have in it? And what if your life was a musical, what songs do you think would make the list? Who would play you on Broadway? I'd have Kate Winslet play me, of course...ha, ha, Mike the Titanic would eat his words then....